‘Resistance: which way the future?’

The main entrance to the arts centre was bedecked with bands of white plastic tape, with ‘Peace Week’ printed on each strip in blue letters. It reminded me immediately of the tape used to cordon off crime scenes while police gather forensic evidence. The organisers of the week were playing on that image deliberately: Peace Week was established in response to violent street crime in inner city Manchester. Now it is in its tenth year.

The arts centre was hosting a film installation by Liz Crow, Resistance: Which Way the Future?. I don’t know if the centre deliberately arranged to feature this artwork during Peace Week. It may just have been a coincidence – but coincidental or not, the installation has something tough and dark and powerful to say about non-violence.

Entering the room, you sit down before the first of three screens. The film coughs into life with the sound of an engine. The first image: an exhaust trailing smoke, the underbelly of the bus. You watch for a long time. At first you are expectant. Then the wait starts to grate on you. What’s happening? What are you waiting for? With a sudden roar, the bus drives off, revealing a young nurse with a clipboard standing outside a creeper-covered country house. She makes a decisive mark on her clipboard, then walks briskly into the house.

Through a child’s eyes

Some graffiti by Banksy in Bethlehem: A Palestinian girl frisks a soldier.

One evening late last summer, as I walked home from a day spent in Dheisheh refugee camp, I was stopped at a flying checkpoint. (These are blockades that pop up unexpectedly for a few days, or even a few hours, as opposed to the permanent checkpoints.) I took off my jacket so that they could search the pockets and waited patiently. This wasn’t anything out of the ordinary. What was unusual was the age and appearance of the ‘soldiers’. The eldest of them was nine. She is a little girl who lives just round the corner.

“Shoes!” she said imperiously, in a magnificent imitation of our local IDF, and I removed my shoes. She had a long wooden stick slung across her body in the manner of a gun. She made the motions of scanning my shoes, and then demanded, “ID!” To my horror, I didn’t have my ID on me. I stood and waited while they discussed what to do with me – would they just refuse to let me pass, or would I have to be interrogated first? Should I be arrested? In the end, needing the toilet rather badly, I bribed the occupation army by proffering a squashed packet of Oreos that I may or may not have sat on at some point. They accepted cheerfully. After I had dashed in to the bathroom, I came back out to them, and we spent a happy evening playing tag and hide-and-seek.