Shades of Hebron

“How is it that they show up whenever you’re here?” I asked Nadav in considerable irritation.

I had opened the front door to find that a blue metal barrier and two occupation soldiers had sprung up like mushrooms overnight. (Sadly not the edible kind.) They were blocking the mouth of our street. The wall surrounds us and the only way to get into Bethlehem lay past them. And I was going to have to walk past them with an illegal Israeli, which is not the ideal accessory to have about your person when confronted with an unexpected military roadblock.

For the honour of the nation: silencing victims of domestic violence

Impelled by the murders of women in their hometown of Lyd, the Palestinian hip-hop group DAM has got together with Amal Murkus and Jackie Salloum to release a rap against honour killings. Sung in Arabic, as with most of DAM’s music, it has generated a critique by two academics living in the USA, written in a particularly obscure kind of academickese (the better to give the impression that they’re making a sophisticated point when really they’re not). Stripped of its frills, the main complaint of Lila Abu Lughod and Maya Mikdashi is this: DAM rapped about the murders of Palestinian women by Palestinian men without also mentioning Israel’s military occupation and systematic discrimination against Palestinians as a whole. And this makes Palestinians look bad.

Wedding bells

My sister’s wedding is approaching. When I told the neighbours about it, the congratulations were accompanied by fits of giggling that mystified me until my friend Farah tracked me down, took me by the elbow, and hissed, “Vicky, when you talk about weddings, I want you to say urus, OK? Not urs.”

“What’s wrong with urs?”

“It’s the way you say it. You are telling everyone that you are looking forward to your sister’s bastard.”

The writing on the wall

If you are a tourist or pilgrim who arrives in Bethlehem via Checkpoint 300, the first thing you will see as you turn into the street is the concrete barrier that slices it in half, severing the neighbourhood from Rachel’s Tomb and the military base that lies adjacent to the holy site. Get closer to the wall and you will find the women of the neighbourhood waiting to meet you.

One of the simplest but most important aspects of my organisation’s work is providing a space where people can tell their stories. One day Toine had an idea: why not turn the wall itself into that space? We could collect short vignettes from the women who use the centre and hang them on the concrete. The stories would be like windows: tourists on their way to see Nativity Church or eat dinner at the optimistically named Bahamas Fish Restaurant would be able to catch a glimpse of Palestinian life.