Art and apartheid: worlds apart

Dear Sir or Madam,

I am an MA student in Jewish Studies. A few weeks ago students taking Hebrew were encouraged to book tickets for Habima Theatre’s Hebrew-language performance of The Merchant of Venice as part of the ‘Globe to Globe’ Shakespeare festival.

During my undergraduate years (as a student of English literature) I practically lived at the Globe, developing incredible calf muscles as I stood through half of Shakespeare’s repertoire. The opportunity to see one of Shakespeare’s most controversial plays presented in Hebrew by a theatre company intimately acquainted with Jewish history and heritage could have been a strong incentive to make a return trip (and maybe even invest in a seat this time).

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‘Resistance: which way the future?’

The main entrance to the arts centre was bedecked with bands of white plastic tape, with ‘Peace Week’ printed on each strip in blue letters. It reminded me immediately of the tape used to cordon off crime scenes while police gather forensic evidence. The organisers of the week were playing on that image deliberately: Peace Week was established in response to violent street crime in inner city Manchester. Now it is in its tenth year.

Police-style incident tape bearing the words 'Peace Week'.

The arts centre was hosting a film installation by Liz Crow, Resistance: Which Way the Future?. I don’t know if the centre deliberately arranged to feature this artwork during Peace Week. It may just have been a coincidence – but coincidental or not, the installation has something tough and dark and powerful to say about non-violence.

Entering the room, you sit down before the first of three screens. The film coughs into life with the sound of an engine. The first image: an exhaust trailing smoke, the underbelly of the bus. You watch for a long time. At first you are expectant. Then the wait starts to grate on you. What’s happening? What are you waiting for? With a sudden roar, the bus drives off, revealing a young nurse with a clipboard standing outside a creeper-covered country house. She makes a decisive mark on her clipboard, then walks briskly into the house.

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Syrian snacks, disability rights, and a simple act of kindness: what I’ve read this week

I’ve decided to create a weekly round-up post of the most interesting, thought-provoking, and urgent things I’ve come across during the week, especially if they haven’t received much attention in the blogosphere. All of the links will be relevant to peace and justice work in some way, although not always specifically to Palestine. Feel free to add your own reading suggestions.

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